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此诗描写了冬至夜晚作者在邯郸驿舍的所思所感，表达了作者的孤寂之感和思家之情。全诗语言质朴无华而韵味含蓄，构思精巧别致，运用想象等手法，表现出淡淡的思乡之愁以及浓浓的怀亲之意。
“邯郸驿里逢冬至，抱膝灯前影伴身。”纪实，侧面写“思家”。第一句叙客中度节，已植“思家”之根。在唐代，冬至这个日子，人们本应在家中和亲人一起欢度。但是如今作者在邯郸客店里碰上这个节日，不知如何是好。第二句，就写作者在邯郸客栈里过节的情景。“抱膝”二字，活画出枯坐的神态。“灯前”二字，既烘染环境，又点出“夜”，托出“影”。一个“伴”字，把“身”与“影”联系起来，并赋予“影”以人的感情。只有抱膝枯坐的影子陪伴着抱膝枯坐的身子，作者的孤寂之感，思家之情，已溢于言表。
“想得家中夜深坐，还应说着远行人。”运用想象，正面写“思家”。后两句笔锋一转，来个曲笔，不直接写自己如何思家，而是想象家人冬至夜深时分，家人还围坐在灯前，谈论着自己这个远行之人，以此来表现“思家”，使这种思乡之情扩大化，真实感人。其感人之处是：他在思家之时想象出来的那幅情景，却是家里人如何想念自己。这个冬至佳节，由于自己离家远行，所以家里人一定也过得很不愉快。当自己抱膝灯前，想念家人，直想到深夜的时候，家里人大约同样还没有睡，坐在灯前，“说着远行人”。具体“说”了什么，作者并没有指明，这就给读者留下了驰骋想象的广阔天地。每一个享过天伦之乐的人，有过类似经历的人，都可以根据自己的生活体验，想得很多。作者没用华丽的词句，没有玩弄过多的艺术技巧，而用平实质朴的语言，却把思乡之情表现的淋漓尽致。
《邯郸冬至夜思家》没有精工华美的辞藻，没有奇特新颖的想象，只是用叙述的语气来描绘远客的怀亲之情。其佳处，一是以直率质朴的语言，道出了人们常有的一种生活体验，感情真挚动人。二是构思精巧别致：首先，诗中无一“思”字，只平平叙来，却处处含着“思”情；其次，写自己思家，却从对面着笔。
appreciation
This poem describes the author’s thoughts and feelings in the Handan post house on the winter solstice night, and expresses the author’s feeling of loneliness and homesickness. The language of the whole poem is simple and unadorned, and the charm is implicit. The idea is exquisite and unique. The use of imagination and other techniques shows a touch of homesickness and a strong sense of nostalgia.
“Every winter solstice in Handan Posthouse, I hold my knee lamp in front of me.” On the side of the documentary, write “thinking about home”. The first sentence is moderate and has been rooted in “homesickness”. In the Tang Dynasty, on the winter solstice, people should have enjoyed themselves with their relatives at home. But now the author meets this festival in the Handan inn and doesn’t know what to do. The second sentence is about the author’s holiday in Handan Inn. The word “holding the knee” vividly depicts the posture of sitting in silence. The word “in front of the lamp” not only lights up the environment, but also points out “night” and “shadow”. A word “companion” connects “body” with “shadow” and endows “shadow” with human feelings. Only the shadow of sitting with knees folded accompanies the body of sitting with knees folded. The sense of loneliness and homesickness of the author has been expressed in words.
“If you want to sit at home late at night, you should also talk about people who travel far away.” Use imagination to write “thinking about home” positively. The last two sentences turn to a song, not to write directly about how you think about your family, but to imagine your family sitting in front of a lamp in the late winter solstice, talking about yourself as a person who travels far, so as to express “homesickness”, so that this kind of homesickness is expanded and real. The touching thing is that the scene he imagined when he was thinking about his family was how his family missed him. This winter solstice festival, because I was away from home, my family must also have a very unpleasant time. When I hold my knee lamp, I miss my family. I always think of late at night when my family is still awake, sitting in front of the lamp, “talking about people who travel far away”. The author did not specify what was “said”, which left readers a vast world to gallop their imagination. Everyone who has enjoyed family happiness and has had similar experiences can think a lot according to their own life experience. The author did not use flowery words or play with too many artistic skills, but expressed his homesickness thoroughly in plain and simple language.
“Home Missing at Winter Solstice Night in Handan” has no refined and beautiful words, no strange and novel imagination, but describes the feelings of relatives of distant guests in a narrative tone. The first advantage is that people often have a kind of life experience, and their feelings are sincere and touching. Second, the design is exquisite and unique: first, there is no word “thinking” in the poem, but it is just plain and plain, but it contains “thinking” everywhere; Second, write about yourself thinking about home, but start from the opposite side.
