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本诗大致写在李白寓居湖北安陆时期（727-736），此时他常往来于襄汉一带，与比他长十二岁的孟浩然结下了深厚的友谊。诗的风格自然飘逸，描绘了孟浩然风流儒雅的形象，同时也抒发了李白与他思想感情上的共鸣。
李白的律诗，不屑为格律所拘束，而是追求古体的自然流走之势，直抒胸臆，透出一股飘逸之气。前人称“太白于律，犹为古诗之遗，情深而词显，又出乎自然，要其旨趣所归，开郁宣滞，特于风骚为近焉。”（《李诗纬》）《赠孟浩然》这首诗就有这样的特色。
“吾爱孟夫子，风流天下闻。”首联是说，我敬重孟先生，他为人高尚风流倜傥闻名天下。首联即点题，开门见山，抒发了对孟浩然的钦敬爱慕之情。一个“爱”字是贯穿全诗的抒情主线。“风流”指孟夫子潇洒的风度人品和超然的文学才华。这一联提纲挈领，总摄全诗。到底如何风流，就要看中间两联的笔墨了。
“红颜弃轩冕，白首卧松云。”颔联是说，少年时鄙视功名不爱官冕车马，高龄白首又归隐山林摒弃尘杂。
“醉月频中圣，迷花不事君。”颈联是说，明月夜常常因酒醉得非凡高雅，他不事君王迷恋花草胸怀豁达。诗中用典，融化自然。“中圣”用曹魏时徐邈的故事，他喜欢喝酒，将清酒叫作圣人，浊酒叫作贤人，“中圣”就是喝醉酒的意思，与“事君”构成巧妙的对偶。
中二联好似一幅高人隐逸图，勾勒出一个高卧林泉、风流自赏的诗人形象。“红颜”对“白首”，概括了从少壮到晚岁的生涯。一边是达官贵人的车马冠服，一边是高人隐士的松风白云，浩然宁弃仕途而去隐遁。通过这一弃一取的对比，突出了他的高风亮节。如果说颔联是从总的方面写他的生平，那么颈联则只是从横的方面写他的隐居生活。在皓月当空的清宵，他把酒临风，往往至于沉醉。有时则于繁花丛中，流连忘返。颔联采取由反而正的写法，即由弃而取；颈联则自正及反，由隐居写到不事君：纵横正反，笔姿灵活。这二联是在形象描写中蕴含敬爱之情。
“高山安可仰？徒此揖清芬！”尾联是说，高山似的品格怎么能够仰望着他？只在此拜揖他芬芳的道德光华！尾联又回到直接抒情，感情进一步升华。孟浩然不慕荣利，自甘淡泊的品格已经写得如此充分，在此基础上将抒情加深加浓，推向高潮，就十分自然，如水到渠成。仰望高山的形象使敬慕之情具体化了，但这座山太巍峨了，因而有“安可仰”之叹，只能在此向他纯洁芳馨的品格拜揖。这样写比一般的写仰望又翻进一层，是更高意义上的崇拜，诗就在这样的赞语中结束。
这首诗在语言上有自然古朴的特色。首联看似平常，它以一种舒展的唱叹语来表达诗人的敬慕之情，自有一种格调高古，飘逸之致的风神，尾联也具有同样的风调。颔联由“红颜”写到“白首，像流水淌泻，”其中运用“互体”，耐人寻味：“弃轩冕”、“卧松云”是一个事情的两个方面。这样写，在自然流走之中又增加了摇曳错落之美。
整个诗的结构采用抒情——描写——抒情的方式。开头提出“吾爱”之意，自然过渡到描写，揭示出“可爱”之处，最后归结到“敬爱”。以感情的自然流淌结撰成篇，所以像行云流水般舒卷自如，表现出诗人率真自然的感情。
appreciation
This poem is roughly written in the period when Li Bai lived in Anlu, Hubei (727-736). At that time, he often went to and fro in the Xianghan area and forged a deep friendship with Meng Haoran, who was 12 years older than him. The style of the poem is natural and elegant, which depicts Meng Haoran’s romantic and elegant image, and also expresses the resonance between Li Bai and his thoughts and feelings.
Li Bai’s regular poems disdain to be constrained by the meter, but pursue the natural flow of the ancient style, express his mind directly, and show a sense of elegance. The former said, “It is too white in the law, which is still a legacy of ancient poetry. It is deep in feeling and obvious in words, which is out of nature. It is close to the purpose of the poem. It is especially coquettish.” (Li Shiwei) The poem “To Meng Haoran” has such characteristics.
“I love Master Meng, and I am romantic.” The first couplet says that I respect Mr. Meng, who is famous for his noble, elegant and elegant manner. The first couplet is the point, which is straight to the point, expressing the admiration for Meng Haoran. A word of “love” is the lyric main line running through the whole poem. “Romance” refers to Confucius’ natural and unrestrained demeanor and personality and detached literary talent. This couplet is the outline of the poem. How to be romantic depends on the strokes of the two couplets in the middle.
“The beauty abandons the Xuan crown, and the white head lies on the pine cloud.” The supporting couplet says that when I was young, I despised official titles and did not love official carriages and horses. When I was old, my white head retired to the mountains and forests to abandon the dust.
“The drunken moon is the most popular, and the misty flower is not the king.” The collar couplet means that the moon night is often very elegant because of drunkenness, and he is open-minded because he is not interested in flowers and plants. Use allusions in poetry to melt nature. “Zhongsheng” refers to the story of Xu Miao in Cao Wei Dynasty. He likes drinking wine. He calls sake a saint, and foul wine a sage. “Zhongsheng” means to be drunk, and forms a clever antithesis with “king”.
The middle couplet is like a picture of an expert recluse, which depicts the image of a poet lying high in the forest and spring, enjoying himself. “Hongyan” and “Baishou” generalize their careers from youth to old age. On one side are the chariot and horse hats of dignitaries, and on the other side are the pine wind and white clouds of the hermits. Haoran would rather abandon his official career and go into seclusion. Through the contrast of abandoning one and taking another, his noble demeanor and integrity are highlighted. If the supporting couplet is about his life in general, the necktie is about his reclusive life in horizontal. In the clear night when the bright moon is in the sky, he often becomes intoxicated when drinking. Sometimes they linger in the flowers and forget to return. The supporting couplet is written in a way that is positive instead of positive, that is, from discard to take; The neck couplet is positive and negative. It is written from seclusion to not being a king: it is vertical and horizontal, positive and negative, and its strokes are flexible. This couplet contains love in the image description.
“The mountain is safe to look up to? Just like this!” The tail couplet says, how can a mountain like character look up to him? Only worship his fragrant moral glory here! The tail couplets return to direct lyricism, and the feelings are further sublimated. Meng Haoran does not admire honor and profit, and his self satisfied and indifferent character has been written so fully. On this basis, it is very natural to deepen his lyricism and push it to a climax. The image of looking up at the mountain makes the admiration concrete, but the mountain is too lofty, so we can only bow to his pure and fragrant character. This kind of writing is a higher sense of worship than the ordinary writing of looking up, and the poem ends in this kind of praise.
This poem is characterized by natural simplicity in language. The first couplet looks ordinary. It expresses the poet’s admiration with a kind of extended exclamation. It has a high and elegant style, and the tail couplet has the same style. The supporting couplet is written from “Hongyan” to “white head, flowing like flowing water.” The use of “inter body” in it is thought-provoking: “Abandoning Xuanmian” and “Crouching Songyun” are two aspects of one thing. In this way, the beauty of swaying and scattering is added in the natural flow.
The structure of the whole poem adopts the lyric description lyric way. At the beginning, I put forward the meaning of “my love”, which naturally transited to description, revealing the “loveliness”, and finally came down to “respect”. It is composed by the natural flow of feelings, so it is as smooth as flowing clouds and rivers, showing the poet’s frank and natural feelings.
