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唐诗中，以春和月为题的不少。或咏春景而感怀，或望明月而生情思。此诗写春，不唯不从柳绿桃红之类的事物着笔，反借夜幕将这似乎最具有春天景色特点的事物遮掩起来，写月，也不细描其光影，不感叹其圆缺；而只是在夜色中调进半片月色，这样，夜色不至太浓，月色也不至太明，造成一种蒙胧而和谐的旋律。
此诗首揭“更深”二字，为以下景色的描绘确定了基调，也给全诗笼罩一种特殊氛围。“月色半人家”是“更深”二字的具体化，接下的一句“北斗阑干南斗斜”，是“更深”于夜空的征象，两句一起造成春夜的静穆，意境深邃。月光半照，是因为月轮西斜，诗以星斗阑干为映衬，这就构成两句之间的内在关联。
“今夜偏知春气暖．虫声新透绿窗纱”，正是诗人全身心地去体察大自然的契机而得到的佳句。从虫介之微而知寒暖之候，说明诗人有着深厚的乡村生活的根柢。因此。这两句非一般人所能道。没有长期乡村生活经验的人固然说不出；便是生活在乡村，也并非人人都说得出来。今夜虫鸣，究竟是第一回还是第几回，谁去注意它，这须得有心人，还应该有一颗诗心。一个“新”字，饱含对乡村生活的深情，既是说清新，又有欣悦之意。
“春气暖”自“今夜”始，表明对节候变化十分敏感，“偏知”一语洋溢着自得之情。写隔窗听到虫声，用“透”。给人以生机勃发的力度感。窗纱的绿色，夜晚是看不出的。这绿意来自诗人内心的盎然春意。至此，我们就可以明白：诗人之所以不描写作为春天表征的鲜明的外在景观。而是借助深夜景色气氛来烘托诗的意境，就是因为这诗得之于诗人的内心。
诗人是以一颗纯净的心灵体察自然界的细微变化的。诗的前二句写景物，不着一丝春的色彩．却暗中关合春意，颇具蕴藉之致。第三句的“春气暖”。结句的“虫声”，“绿窗纱”互为映发。于是春意俱足。但这声与色，仍从“意”(感觉)中来。诗人并非唯从“虫声”才知道春气已暖，“春气暖”是诗人对“今夜”的细微感觉，而“虫声”只是与其感觉冥合的一个物候。因此，诗的意蕴是深厚的。构思的新颖别致，决定于感受的独特。唐代田园诗成为一个重要流派，也不乏名家。然而。能仿佛陶诗一二者并不多见。象本诗这样深得陶体真趣的。就更为寥寥。至于说本诗有无隐微之情的寄托，于字面无证，不好去穿凿。▲
appreciate
In Tang poetry, there are many poems about spring and moon. Or spring scenery and feelings, or look at the moon and love. This poem writes about spring, not only from things like willow green and peach red, but also by using the night to cover things that seem to have the most characteristics of spring scenery. It writes about the moon, and does not describe its light and shadow in detail, and does not lament its completeness; But only half of the moon is turned into the night, so that the night is not too thick and the moon is not too bright, creating a dim and harmonious melody.
The first part of this poem reveals the word “deeper”, which sets the tone for the description of the following scenery and also gives the whole poem a special atmosphere. “Half Moonlight Family” is the embodiment of the word “Deeper”. The next sentence “Beidou Langan Nandou Oblique” is the sign of “Deeper” in the night sky. The two sentences together create a quiet spring night with profound artistic conception. The moonlight is half lit because the moon is tilted to the west, and the poem is set off by the stars, which forms the internal relationship between the two sentences.
“Tonight, the spring is warm, and the sound of insects is fresh through the green window screen.” This is a beautiful sentence that the poet got from his wholehearted observation of nature. Knowing the cold and warm weather from the tiny insects shows that the poet has a deep foundation of rural life. So. These two sentences are beyond common people’s comprehension. Those who have no long-term experience in rural life can’t tell; Even living in the countryside, not everyone can tell. Whether it is the first time or the first time that the insects chirp tonight, who should pay attention to it should have a heart of mind and poetry. The word “new” is full of deep feelings for rural life, which is both fresh and joyful.
Since “Tonight”, “Spring is warm” indicates that it is very sensitive to the changes of seasons, and the word “partial knowledge” is full of complacency. Write “through” when you hear the sound of insects through the window. It gives people a sense of vitality. The green of the window screen is invisible at night. This green color comes from the spring in the poet’s heart. So far, we can understand why the poet did not describe the distinctive external landscape as a symbol of spring. It is to contrast the artistic conception of the poem with the help of the late night scenery atmosphere, because the poem is derived from the poet’s heart.
The poet observes the subtle changes of nature with a pure mind. The first two lines of the poem describe the scenery without a trace of spring color, but they are closely related to the spring feeling, which is quite profound. The third sentence is “warm in spring”. The “sound of insects” and “green window screen” in the final sentence reflect each other. So spring is full. But the sound and color still come from the “sense” (feeling). The poet does not know that the spring air is warm only from the “sound of insects”. The “warm spring air” is the poet’s subtle feeling of “tonight”, and the “sound of insects” is just a phenomenon that blends with his feeling. Therefore, the implication of poetry is profound. The novelty of the idea depends on the uniqueness of the feeling. The pastoral poetry of the Tang Dynasty became an important school, and there were many famous poets. However. It is rare to see Tao’s poems. This poem is so profound and interesting. It is even less. As for whether this poem has the sustenance of subtle feelings, there is no evidence on the face of it, so it is not easy to go through it. ▲
